The Karnata Dravidian tradition developed in the 7th century under the patronage of Badami Chalukya got matured under Western Chalukya (Kalyani Chalukya) in the 11nth century. The Chalukya style got perfection as an independent style under Hoysala rule in the 13nth century.
Features:
- Makartorana : It leads to the mantapa of the temples. It is made with sculpted images of makara in lintel form that overhead one to the temple.
- Mantapa : Hoysala temples have features of both open (outer mantapa) and closed mantapa (innnermantapa). The ceilings of the mantapa are highly ornate bearing mythological figures and floral design.
- Pillars : The mantapas of Hoysala temples have circular pillars. Each pillar bear four brackets in the top with sculpted figures.
- Cella (vimana) : The characteristic feature of vimana in Hoysala temples is that they are plain inside while outside is profusely elaborated.
- Shrine : The Hoysala temples generally bears one or more shrines. The temples are classified as ekakuta (one shrine), dvikuta (two shrines) etc relating to the number of shrines.
- Development of kalasa : The Hoysala temples bear a very nice vase shaped water pot that stands on the top most portion of the temple tower.
- Salabhanjika : It is the peculiar feature of Hoysala sculpture. The origin of this mythical woman figure trace back its orgin from the Buddhist sculpture. Salabhanjika or madanika is a mythical women figure with stylized feminine characters who target="_blank" class="youtube-subscribe-button"> Subscribe on YouTube